North Street Review: Arts and Visual Culture
type: channel
description: The North Street Review is a peer-reviewed publication for original and innovative postgraduate scholarship in the field of art history. Founded as Inferno in 1994, and published as the St Andrews Journal of Art History and Museum Studies from 2009-2013, the North Street Review publishes essays representing the diverse approaches to all facets of art history both within the University of St. Andrews, the United Kingdom, and abroad.
publisher: School of Art History, University of St Andrews
language: en
publication name: North Street Review: Arts and Visual Culture
issn: 2053-2016
copyright: Authors who publish in this journal retain copyright and are required to grant a licence to the journal to allow distribution and reuse, as described in the following agreement. Author’s grant of rights (Licence to publish) The author grants to the North Street Review: Arts and Visual Culture, the following: 1. An irrevocable non-exclusive right to reproduce, republish, transmit, distribute, and otherwise use the Work in electronic and print editions of the Journal and in derivative works throughout the world, in all languages, and in all media now known or later developed. 2. An irrevocable non-exclusive right to create and store electronic archival copies of the Work, including the right to deposit the Work in open access digital repositories. 3. An irrevocable non-exclusive right to license others to reproduce, republish, transmit, and distribute the Work in both print and electronic form under a Creative Commons Attribution-Non Commercial [BY-NC] Licence Author’s retained rights The Journal supports Open Access to scholarly work and applies the Creative Commons licence to ensure access and free use for the widest possible audience. This agreement means that copyright in the Work remains with the Author and the Author retains the right to reuse the article. Provided proper attribution is given and the use is non-commercial, authors are encouraged to use the article in the following ways: to deposit the published version in institutional repositories or on a personal website to republish in a thesis or book to present the article at a meeting or conference to use all or part of the article for lecture or class room purposes. Third party content Where possible, third party content has been cleared for use under the Creative Commons Attribution-Non Commercial [BY-NC] Licence. In some cases, content is included in Works that is available under a different licence, or with All Rights Reserved. If in doubt, users should ask for permissions prior to re-using any third p…
items: Vredeman de Vries: Geometry and Freedom
items: Tommaso Salini Revisited: Two New Attributions
items: Development of Social Structures within a changing Museum Frame
items: "An Urge To Take Off From The Earth": How Malevich Embodies The Role Of 'Shamanic Artist' In His Early Career
items: Price and Gilpin in the Cottage Garden: Reading the Picturesque in Late Victorian Watercolors
items: The Tools of War and Industry: The Erasure of the Family in Käthe Kollwitz's Der Krieg
items: Park Fiction - a participatory artistic park project
items: The Year of the Visual Arts 96: local initiatives, national and global trends
items: The lesser of two evils: Pius II, international diplomacy and the College of Cardinals
items: Sound advice: a changing role for music museums in the age of the Three Tenors
items: Marcel Broodthaers - case study: 'La Tour Visuelle'
items: '...and there was nothing wrong with Utility furniture': furniture history and oral history
items: 'Le Coq d'Or': folk traditions and the making of high culture
items: 'A sagacious policy': the artist & the press in the Victorian art world
items: Imprisoned princesses: Princess Tarakanova and the Regent Tsarevna Sof'ya
items: A recently discovered account for plasterwork at Arniston House, Midlothian
items: The Book of Kells: a new look at an old manuscript
items: Editorial
items: 'A lie which is in part a truth': a discussion on the media and photographic integrity
items: Recording Scotland: the art collections of the University of St Andrews
items: Neo-classical avant-garde: L'vov's cathedral of St. Joseph, Mogilev, Belorussia
items: George Sandeman: an eighteenth-century wright from Perth
items: David Martin, (1737-1797), portrait painter: revealed
items: From the statue court to the statue gallery: placing the Cesi antiquarium in an historical context
items: Quiet, silence and solitude: the Carthusian order, the Certosa of Florence and Jacopo Pontormo's Passion cycle
items: Opus Anglicanum: copes as liturgical show-pieces
items: Strathspey and reel: photography and the Cairngorms
items: Engraving and photography in nineteenth-century Scotland: Thomas Annan's position in the debate over the 'art' of photography
items: Alexander Edward: the education of an architect

Vredeman de Vries: Geometry and Freedom
type: item
description: As a result of his highly imaginative perspectival illustrations, late sixteenth-century Dutch architect Hans Vredeman de Vries remained at the pivot point of transferring perspectival developments from Italy to a northern European setting. He brought about a revolution in the genre of the architectural city-view, stood as a giant of that artistic category, and initiated a widespread architectural following that could be felt in buildings from every province of his home country to as far away as regional towns in Peru. This essay introduces the use of geometry in Vredeman’s illustrations from his 1604 treatise Perspective and gives an account of the meanings behind vantage points, picture planes, and the viewing subject in those representations. A commentary on the notion of repetition in perspectival vistas and an explanation of the significance surrounding the placement of the centric point in his engravings is also dealt with. The centric points of Vredeman’s plates are seldom placed on a blank architectural surface. Instead, we encounter deliberate openings that allow us to travel beyond the pictorial plane and that remind us of the artificial nature of the environment being shown. Someone might theoretically be looking back at us, configuring the world before us, and thereby reinforcing the arbitrariness of our point of view. Overall, this paper aims to look anew at the symbolic significance of the perspective engravings of Vredeman de Vries. The writing ends with a summary on what it might mean to transcend a perspective.
subject: Articles
  topic: section
subject: Vredeman de Vries
  topic: keywords
subject: Perspective
  topic: keywords
subject: Geometry
  topic: keywords
subject: Engraving
  topic: keywords
subject: Transcendence
  topic: keywords
subject: Art history
  topic: disciplines
subject: History and philosophy of architecture
  topic: disciplines
creator: Olaf Recktenwald
rights: Copyright (c) 2015 Olaf Recktenwald https://creativecommons.org/licenses/by-nc/4.0
date: 2014-07-08
publication date: 2014-07-08
starting page: 75
ending page: 84

Tommaso Salini Revisited: Two New Attributions
type: item
description: Tommaso Salini (c.1575–1625) is a frequently forgotten Baroque artist that fell under Caravaggio’s spell, despite having a tempestuous relationship with the great painter. Salini, also known as Mao, was a friend of Giovanni Baglione, the Italian art biographer, who included Salini in his Le vite de’ pittori (1642). Salini is better remembered for his role in the Baglione libel trial of 1603 than he is for his oil paintings, which sit between Caravaggio’s innovative way of painting and Baglione’s mediocre Mannerism. Art historians have often shied away from exploring Salini’s career because the canvases that have carried his name seem stylistically dissimilar. The recent tendency has been to attribute these works to the anonymous ‘Pseudo-Salini’ painters, but this should form the topic of a separate article. The twentieth century saw art historians generously attribute an excessive amount of work to Salini, and many of these pictures were probably done decades after his death. In order for Salini’s oeuvre to be presented with accuracy, connoisseurs have had to inspect the original works that Baglione mentions being by Salini’s hand, as well as the pictures that have been successfully attributed to him. Bearing in mind what Baglione wrote, Salini can be revealed as an innovate artist and still life specialist. This article includes a newly attributed still life (Museum of Fine Arts, Boston) as a forgotten Salini, as well as a refreshed attribution of the masterful Piping Shepherd Boy (Foundling Museum, London). These works add weight to Salini being a more famous and better-known painter in his own time than scholarship has shown.
subject: Articles
  topic: section
subject: Connoisseurship
  topic: keywords
subject: Caravaggism
  topic: keywords
subject: Attribution.
  topic: keywords
subject: Art History
  topic: disciplines
subject: Connoisseurship
  topic: disciplines
subject: Visual Studies.
  topic: disciplines
creator: Aaron James Thom
rights: Copyright (c) 2015 Aaron James Thom https://creativecommons.org/licenses/by-nc/4.0
date: 2014-07-08
publication date: 2014-07-08
starting page: 7
ending page: 19

Development of Social Structures within a changing Museum Frame
type: item
description: This paper looks at how social and epistemological structures have developed within museums. It focuses on the definitions of Michel Foucault´s discourses and Niklas Luhmann’s definitions of social systems and seeks to identify how the work of these to theorists can shape new structures under which museums themselves can form new social frames of future development. As museums experience greater responsibilities and the curator's role especially is under significant change, the historical, cultural and epistemological development of museums are under debate too. This calls for new ways of understanding social structures and systems within changing frames of museum theory and practice. As the works of Foucault and Luhmann have rarely been put together they can form new ways of looking at the development and shape of already existing structures within museums. Interestingly, their works suggest that museums themselves, as social systems, have the best opportunities to define future development structures of social inclusion and definition.
subject: Articles
  topic: section
subject: Museum Philosophy
  topic: keywords
subject: Museum Epistemology
  topic: keywords
subject: Foucault
  topic: keywords
subject: Luhmann
  topic: keywords
subject: Social Theory
  topic: keywords
subject: Museum Studies
  topic: disciplines
subject: Museum Philosophy
  topic: disciplines
subject: Social Theory
  topic: disciplines
creator: Jane K Nielsen
rights: Copyright (c) 2015 Jane K Nielsen https://creativecommons.org/licenses/by-nc/4.0
date: 2014-07-08
publication date: 2014-07-08
starting page: 47
ending page: 52

"An Urge To Take Off From The Earth": How Malevich Embodies The Role Of 'Shamanic Artist' In His Early Career
type: item
description: The article submitted will bear the following title: “An Urge To Take Off From The Earth”: How Malevich Embodies The Role of ‘Shamanic Artist’ In His Early Career. Its main arguments can be summarized as follows: Firstly it will examine how Malevich appears to undergo an experience which parallels both the ecstatic and the didactic initiation process of a neophyte shaman. It will do this by looking at Malevich’s writings, his pedagogical role as a teacher of his own artistic school, and indeed his teaching methods, and how these aspects are allegorical to the shamanic initiatory experience. Then it will consider how Malevich, through the metaphorical implications of Uspensky’s higher cosmic reality, defined by the fourth dimension, and indeed in the heightened status of art and his embodiment of the Nietzschean ‘super-artist’, is able to embark on a shamanic ‘soul-journey’, transcending earthly reality, and consequently, is able to philanthropically transform the world through the ideology of his Suprematist vision, for the attainment of cosmic equilibrium. This article will make a significant contribution to Art-Historical scholarship for it is an aspect of Malevich’s paradigmatic oeuvre that has yet to be examined, despite the presence of some compelling evidence, and indeed provides grounds for undertaking more extensive research into the connection between Malevich’s radical modern aesthetic and the shamanic phenomenon.
subject: Articles
  topic: section
subject: Modern Russan Art
  topic: keywords
subject: Early Twentieth Century
  topic: keywords
subject: Art history
  topic: disciplines
subject: Visual Arts
  topic: disciplines
creator: Charlotte Lucy Gill
rights: Copyright (c) 2015 Charlotte Lucy Gill https://creativecommons.org/licenses/by-nc/4.0
date: 2014-07-08
publication date: 2014-07-08
starting page: 53
ending page: 62

Price and Gilpin in the Cottage Garden: Reading the Picturesque in Late Victorian Watercolors
type: item
description: In his book American Picturesque, John Conron asserts that the picturesque “leads a nineteenth-century life very much distinguishable from its eighteenth century predecessors.” How was the nineteenth century life of the picturesque different as seen through such cottage scene pictures? What was uniquely picturesque about the Victorian cottage garden and its depiction by artists, especially those working with watercolors? How do the characters populating these pictures correspond with the favored picturesque figures found in Price? By addressing the taste for cottage garden pictures, and the work of artists like Helen Allingham and Thomas James Lloyd, one may perhaps uniquely access the Victorian life of the picturesque ideal.
subject: Articles
  topic: section
subject: Watercolor
  topic: keywords
subject: Victorian art
  topic: keywords
subject: picturesque
  topic: keywords
subject: aesthetics
  topic: keywords
subject: Price
  topic: keywords
subject: Gilpin
  topic: keywords
subject: Cottage garden
  topic: keywords
subject: Royal Watercolour Society
  topic: keywords
subject: Art history
  topic: disciplines
subject: aesthetics
  topic: disciplines
subject: visual studies
  topic: disciplines
subject: philosophy
  topic: disciplines
subject: Victorian studies
  topic: disciplines
creator: Lauren Palmor
rights: Copyright (c) 2015 Lauren Palmor https://creativecommons.org/licenses/by-nc/4.0
date: 2014-07-08
publication date: 2014-07-08
starting page: 63
ending page: 74

The Tools of War and Industry: The Erasure of the Family in Käthe Kollwitz's Der Krieg
type: item
description: Käthe Kollwitz is unquestionably one of the most significant artists of the modern period. As seen through her 275 prints, Kollwitz’s visual language is both poignant and universal, allowing for lasting international acclaim. Traditionally, her work has been overshadowed by readings of her subject matter as a nearly fanatical obsession with the tragedies of life. Indeed, her persona has become entangled in a myth of self-torment and oppression. This article argues for the existence of a polarity within her work which has rarely been explored before. This polarity is revealed in several of her works including one of her most celebrated series, Der Krieg. I evaluate Kollwitz’s work beyond the simple answer of human emotions, in the process revealing a complexity beyond just tragedy. Kollwitz was always a political artist and her work is saturated with radical ideas concerning women, the role of the family, and the public sphere. Apart of a larger work, this article tries to examine the series, Der Krieg as a predecessor to the concepts often linked with modern feminist thought. I argue that Der Krieg challenges the stability of the nuclear family by highlighting the necessity of the community. This challenge aimed to free women from their domestic chains, thereby adding domestic life to Germany’s national reforms following World War I. Kollwitz once stated that she wanted “to cultivate the seed that was placed [within her] until the last small twig had grown.” Her artworks, spanning four decades, have continued to serve as the seeds for other’s ideas and implanted within many viewers ideas for a better future.
subject: Articles
  topic: section
subject: Modern Art
  topic: keywords
subject: Gender Studies
  topic: keywords
subject: Art history
  topic: disciplines
creator: Elizabeth Kajs
rights: Copyright (c) 2015 Elizabeth Kajs https://creativecommons.org/licenses/by-nc/4.0
date: 2014-07-08
publication date: 2014-07-08
starting page: 21
ending page: 33

Park Fiction - a participatory artistic park project
type: item
description: The extraordinary green recreational area Park Fiction was proposed, planned, and established by a group of artists, residents, and local institutions in Hamburg from 1994 until 2005. The project was financially supported with public funds from the programme Art in Public Spaces sponsored by the Hamburg Department of Culture. The special combination of art and social work of the group has been seen as an important one and was honoured with an invitation to present Park Fiction at the documenta 11 in 2002. The basic conditions and the main phases of the eleven year history of the project are outlined in the text. Difficulties and helpful conditions are analysed. Special regard is given to the combination of social work and art in the project. The significance of the project for the careers of the project members is also taken into account. At the end, the subtle instrumentalisation of the park within the gentrification process of Hamburg is considered.
subject: Articles
  topic: section
subject: Public Art
  topic: keywords
subject: Socio-critical art
  topic: keywords
subject: Contemporary art
  topic: keywords
subject: Art of the 1990s
  topic: keywords
subject: Garden design
  topic: keywords
subject: Situationism
  topic: keywords
subject: Gentrification
  topic: keywords
subject: Art history
  topic: disciplines
subject: Urban studies
  topic: disciplines
subject: Cultural studies
  topic: disciplines
subject: Social work
  topic: disciplines
subject: Garden design
  topic: disciplines
creator: Viola Rühse
rights: Copyright (c) 2015 Viola Rühse https://creativecommons.org/licenses/by-nc/4.0
date: 2014-07-08
publication date: 2014-07-08
starting page: 35
ending page: 46

The Year of the Visual Arts 96: local initiatives, national and global trends
type: item
description: This paper looks at the process that led to the organisation of VAUK 96, examining the relation between the aims of the organisers, in particular, of Northern Arts who developed the project, including both its clients and the providers of public funding: the state through the Arts Council.
subject: Articles
  topic: section
subject:
  topic: subjects
subject: Art history
  topic: disciplines
creator: Gabriel Gee
rights: Copyright (c) 2011 Gabriel Gee https://creativecommons.org/licenses/by-nc/4.0
starting page: 53
ending page: 62

The lesser of two evils: Pius II, international diplomacy and the College of Cardinals
type: item
description: [The full text of this article is not available online.]
subject: Articles
  topic: section
subject: Papacy
  topic: keywords
subject: Rome
  topic: keywords
subject: Art history
  topic: disciplines
creator: Carol M. Richardson
rights: Copyright (c) 2011 Carol M. Richardson https://creativecommons.org/licenses/by-nc/4.0
starting page: 17
ending page: 24

Sound advice: a changing role for music museums in the age of the Three Tenors
type: item
description: [The full text of this article is not available online.]
subject: Articles
  topic: section
subject: Musical collections
  topic: keywords
subject: Classical music
  topic: keywords
subject: Museum studies
  topic: disciplines
creator: Joanna Archibald
rights: Copyright (c) 2011 Joanna Archibald https://creativecommons.org/licenses/by-nc/4.0
starting page: 92
ending page: 102

Marcel Broodthaers - case study: 'La Tour Visuelle'
type: item
description: [The full text of this article is not available online.]
subject: Articles
  topic: section
subject: Modern art
  topic: keywords
subject: Art history
  topic: disciplines
creator: Deborah Schultz
rights: Copyright (c) 2011 Deborah Schultz https://creativecommons.org/licenses/by-nc/4.0
starting page: 84
ending page: 91

'...and there was nothing wrong with Utility furniture': furniture history and oral history
type: item
description: [The full text of this article is not available online.]
subject: Articles
  topic: section
subject: Furniture manufacturing
  topic: keywords
subject: Art history
  topic: disciplines
creator: Stephen Jackson
rights: Copyright (c) 2011 Stephen Jackson https://creativecommons.org/licenses/by-nc/4.0
starting page: 78
ending page: 83

'Le Coq d'Or': folk traditions and the making of high culture
type: item
description: [The full text of this article is not available online.]
subject: Articles
  topic: section
subject: Theatre design
  topic: keywords
subject: Folk tales
  topic: keywords
subject: Art history
  topic: disciplines
creator: Cheryl A. Kramer
rights: Copyright (c) 2011 Cheryl A. Kramer https://creativecommons.org/licenses/by-nc/4.0
starting page: 62
ending page: 77

'A sagacious policy': the artist & the press in the Victorian art world
type: item
description: [The full text of this article is not available online.]
subject: Articles
  topic: section
subject: Art journalism
  topic: keywords
subject: Art history
  topic: disciplines
creator: Patricia de Montfort
rights: Copyright (c) 2011 Patricia de Montfort https://creativecommons.org/licenses/by-nc/4.0
starting page: 46
ending page: 61

Imprisoned princesses: Princess Tarakanova and the Regent Tsarevna Sof'ya
type: item
description: [The full text of this article is not available online.]
subject: Articles
  topic: section
subject: Portraits
  topic: keywords
subject: Painting
  topic: keywords
subject: Art history
  topic: disciplines
creator: Marianne McLeod Gilchrist
rights: Copyright (c) 2011 Marianne McLeod Gilchrist https://creativecommons.org/licenses/by-nc/4.0
starting page: 32
ending page: 45

A recently discovered account for plasterwork at Arniston House, Midlothian
type: item
description: [The full text of this article is not available online.]
subject: Articles
  topic: section
subject: Architecture
  topic: keywords
subject: Plasterer
  topic: keywords
subject: Art history
  topic: disciplines
creator: Patricia Wigston
rights: Copyright (c) 2011 Patricia Wigston https://creativecommons.org/licenses/by-nc/4.0
starting page: 25
ending page: 31

The Book of Kells: a new look at an old manuscript
type: item
description: [The full text of this article is not available online.]
subject: Articles
  topic: section
subject: Initials
  topic: keywords
subject: Manuscript
  topic: keywords
subject: Art history
  topic: disciplines
creator: Heather Pulliam
rights: Copyright (c) 2011 Heather Pulliam https://creativecommons.org/licenses/by-nc/4.0
starting page: 7
ending page: 16

Editorial
type: item
subject: Editorials
  topic: section
subject:
  topic: subjects
subject: Art history
  topic: disciplines
creator: Patricia de Montfort
creator: Cheryl A. Kramer
creator: Carol Richardson
rights: Copyright (c) 2011 Patricia de Montfort, Cheryl A. Kramer, Carol Richardson https://creativecommons.org/licenses/by-nc/4.0
starting page: 5
ending page: 5

'A lie which is in part a truth': a discussion on the media and photographic integrity
type: item
description: [The full text of this article is not available online.]
subject: Articles
  topic: section
subject: Press photography
  topic: keywords
subject: Photojournalism
  topic: keywords
subject: Art history
  topic: disciplines
creator: Bruce F. Pert
rights: Copyright (c) 2011 Bruce F. Pert https://creativecommons.org/licenses/by-nc/4.0
starting page: 86
ending page: 93

Recording Scotland: the art collections of the University of St Andrews
type: item
description: [The full text of this article is not available online.]
subject: Articles
  topic: section
subject: Special collections
  topic: keywords
subject: Library
  topic: keywords
subject: Photographic archive
  topic: keywords
subject: Art collecting
  topic: keywords
subject: Art history
  topic: disciplines
creator: Claire Payne
rights: Copyright (c) 2011 Claire Payne https://creativecommons.org/licenses/by-nc/4.0
starting page: 75
ending page: 85

Neo-classical avant-garde: L'vov's cathedral of St. Joseph, Mogilev, Belorussia
type: item
description: [The full text of this article is not available online.]
subject: Articles
  topic: section
subject: Neo-classical architecture
  topic: keywords
subject: Russian architecture
  topic: keywords
subject: Art history
  topic: disciplines
creator: Alexei V. Makhrov
rights: Copyright (c) 2011 Alexei V. Makhrov https://creativecommons.org/licenses/by-nc/4.0
starting page: 64
ending page: 74

George Sandeman: an eighteenth-century wright from Perth
type: item
description: [The full text of this article is not available online.]
subject: Articles
  topic: section
subject: Furniture
  topic: keywords
subject: Cabinetmaker
  topic: keywords
subject: Art history
  topic: disciplines
creator: L.W.S. Petznick
rights: Copyright (c) 2011 L.W.S. Petznick https://creativecommons.org/licenses/by-nc/4.0
starting page: 50
ending page: 63

David Martin, (1737-1797), portrait painter: revealed
type: item
description: [The full text of this article is not available online.]
subject: Articles
  topic: section
subject: Portraits
  topic: keywords
subject: Scottish painting
  topic: keywords
subject: Art history
  topic: disciplines
creator: Lucy Dixon
rights: Copyright (c) 2011 Lucy Dixon https://creativecommons.org/licenses/by-nc/4.0
starting page: 40
ending page: 49

From the statue court to the statue gallery: placing the Cesi antiquarium in an historical context
type: item
description: [The full text of this article is not available online.]
subject: Articles
  topic: section
subject: Classical antiquity
  topic: keywords
subject: Sculpture
  topic: keywords
subject: Gallery
  topic: keywords
subject: Art history
  topic: disciplines
creator: Cara Brandi
rights: Copyright (c) 2011 Cara Brandi https://creativecommons.org/licenses/by-nc/4.0
starting page: 31
ending page: 39

Quiet, silence and solitude: the Carthusian order, the Certosa of Florence and Jacopo Pontormo's Passion cycle
type: item
description: [The full text of this article is not available online.]
subject: Articles
  topic: section
subject: Liturgy
  topic: keywords
subject: Fresco
  topic: keywords
subject: Art history
  topic: disciplines
creator: Julia A. Delancey
rights: Copyright (c) 2011 Julia A. Delancey https://creativecommons.org/licenses/by-nc/4.0
starting page: 20
ending page: 30

Opus Anglicanum: copes as liturgical show-pieces
type: item
description: [The full text of this article is not available online.]
subject: Articles
  topic: section
subject: Liturgy
  topic: keywords
subject: Art history
  topic: disciplines
creator: Christine Linell
rights: Copyright (c) 2011 Christine Linell https://creativecommons.org/licenses/by-nc/4.0
starting page: 1
ending page: 19

Editorial
type: item
subject: Editorials
  topic: section
subject:
  topic: subjects
subject: Art history
  topic: disciplines
creator: L.S.W. Petznick
rights: Copyright (c) 2011 L.S.W. Petznick https://creativecommons.org/licenses/by-nc/4.0
starting page: 5
ending page: 5

Strathspey and reel: photography and the Cairngorms
type: item
description: [The full text of this article is not available online.]
subject: Articles
  topic: section
subject: Scottish photography
  topic: keywords
subject: Landscape
  topic: keywords
subject: Art history
  topic: disciplines
creator: Robert A. Lambert
rights: Copyright (c) 2011 Robert A. Lambert https://creativecommons.org/licenses/by-nc/4.0
starting page: 68
ending page: 81

Engraving and photography in nineteenth-century Scotland: Thomas Annan's position in the debate over the 'art' of photography
type: item
description: [The full text of this article is not available online.]
subject: Articles
  topic: section
subject: Scottish photography
  topic: keywords
subject: Art history
  topic: disciplines
creator: Maranne McDade
rights: Copyright (c) 2011 Maranne McDade https://creativecommons.org/licenses/by-nc/4.0
starting page: 49
ending page: 67

Alexander Edward: the education of an architect
type: item
description: ﻿﻿[The full text of this article is not available online.]
subject: Articles
  topic: section
subject: Scottish architecture
  topic: keywords
subject: Art history
  topic: disciplines
creator: John Lowrey
rights: Copyright (c) 2011 John Lowrey https://creativecommons.org/licenses/by-nc/4.0
starting page: 35
ending page: 48